Philtres of Love!!

In Greek mythology, Andromache, the wife of the Trojan warrior Hector, was accused by Hermione, wife of Neoptolemus, of gaining his love by means of love-potions. Euripides, the tragic poet (c. 485–406 B.C.), refers to the situation in his drama Andromache:

Not of my philtres thy lord hateth thee,

But that thy nature is no mate for his.

That is the love-charm: woman, ’tis not beauty

That witcheth bridegrooms, nay, but nobleness.

Philtres were in actual use beyond mythological times.Xenophon (c. 430–354 B.C.), the Greek historian, author of Memorabilia, alludes to the practice:

“They say,” replied Socrates, “that there are certain incantations which those who know them chant to whomsoever they please, and thus make them their friends; and that there are also love potions which those who know them administer to whomso they will; and are in consequence loved by them.”

In ancient orgiastic cults, particularly those dedicated to Dionysus and to the Syrian Baal, religious frenzies were accompanied or stimulated by drugs, fermented drink, by rhythmic dance movements, by tambourine, drum, and flute music that culminated in ecstatic self-mutilation followed by wild sexual debaucheries. (LOVE POTIONS THROUGH THE AGES / HARRY E. WEDECK)

 

My face Was On Fire!!

Caviceo spirted out his venerean exudation, and I felt irrigated by a burning rain…. Just as Caviceo slackened, I experienced a sort of voluptuous itch as though I were making water; involuntarily I draw my buttocks back a little, and in an instant I felt with supreme pleasure something flowing from me which tickled me deliciously. My eyes failed me, my breath came thick, my face was on fire, and I felt my whole body melting. “Ah! ah! ah! my Caviceo, I shall faint away”, I cried; “hold my soul—it is escaping from my body” ( M.Clasical Erotologia / Cap I, Of Copulation)

On Kissing

Kissing is of four kinds, viz., moderate, contracted, pressed, and soft, according to the different parts of the body which are kissed, for different kinds of kisses are appropriate for different parts of the body.

When a woman looks at the face of her lover while he is asleep, and kisses it to show her intention or desire, it is called a “kiss that kindles love.”

When a woman kisses her lover while he is engaged in business, or while he is quarrelling with her, or while he is looking at something else, so that his mind may be turned away, it is called a “kiss that turns away.”

When a lover coming home late at night kisses his beloved, who is asleep or in bed, in order to show her his desire, it is called a “kiss that awakens.” On such an occasion the woman may pretend to be asleep at the time of her lover’s arrival, so that she may know his intention and obtain respect from him.

When a person kisses the reflection of the person he loves in a mirror, in water, or on a wall, it is called a “kiss showing the intention.”

When a person kisses a child sitting on his lap, or a picture, or an image, or figure, in the presence of the person beloved by him, it is called a “transferred kiss.”

When at night at a theatre, or in an assembly of caste men, a man coming up to a woman kisses a finger of her hand if she be standing, or a toe of her foot if she be sitting, or when a woman is shampooing her lover’s body, places her face on his thigh (as if she was sleepy) so as to inflame his passion, and kisses his thigh or great toe, it is called a “demonstrative kiss.”……………………..(The Kamasutra of Vatsyayana, part II,On Sexual Union)

Classical Erotology!

In fact the fellator as well as the cunnilingue may be called eaters of filth, as in the passage of Galen quoted previously, where both of them are called coprophagi (dung-eaters). Bæticus however has only to do with the female pit; he is a cunnilingue, not a fellator. On the contrary, the lewd tongue of Tongilion (III., 84) is that of a fellator, not of a cunnilingue; for the tongue of a cunnilingue plays the part of a lover, being active; while that of a fellator acts the part of a prostitute, remaining passive. Sometimes for want of attention the most learned commentators are at fault in elucidating these playful passages. One of the twin brothers, who in our friend of Bilbilis (the poet Martial) (III., 88), are licking different groins, was a cunnilingue. The neighbor of Priapus, “by whose fault it is unhappy Landacé swears she can hardly walk, she is so enlarged,” is covertly designated as a cunnilingue (Priapeia LXXVIII.); yet for all that Scioppius maintains he was only a fornicator; but why should we turn away from the proper sense of the word on account of the enlarged aperture? As if the vulva could not be enlarged, or relaxed by the tongue of the cunnilingue equally as much as by active co-habitation!  (Manual of Classical Erotology (De figuris Veneris). Autor : Friedrich Karl Forberg)

Orgiastic Cults

In ancient orgiastic cults, particularly those dedicated to Dionysus and to the Syrian Baal, religious frenzies were accompanied or stimulated by drugs, fermented drink, by rhythmic dance movements, by tambourine, drum, and flute music that culminated in ecstatic self-mutilation followed by wild sexual debaucheries. (Love Potions through the Ages, Antiques, by Harry E. Wedeck)

 The Real GFE Experience

I needed to blow off some steam so I ventured off to Paris to explore. I looked specifically for women who provided a GFE. I wanted to meet someone who could hold a conversation and provide me with some local color. My ideal date involves an intelligent women who seeks to please, and be pleased. I found April here and booked a date. We started the date with some local cuisine for lunch and afterwards did some sightseeing around the city, hand in hand. April was excellent private tour guide and my nervousness started to fade away as we were walking around the city. After the tour we arrived my hotel room for the final part of the date. April is very pretty girl-next-door type of girl with wonderful smile and some nice assets. There are many things to do and see in Paris, but April was the highlight of my trip and I had my all time best escorting experience with her. She clearly loves what she does and I highly recommend her to anyone visiting Paris.

La Femme Fatale : Real French girl

Je me nomme melina,une jeune femme Française naturelle et très raffinée,avec un corps sexy,tendre,doux,bien taillé et les seins qui tiennent dans la paume des mains.Avec mon regards et mon sourire envoûtant je vous amène dans un petit paradis sur terre ou on partagera un bon moment de plaisir et de relaxation.
Doté d’une sensualité hors norme,je suis de nature très coquine et gourmande.Vous apprécierez non seulement mon sens de l’humour,ma gentillesse,ma douceur et mon savoir faire.
J’accepte comme avant gout le « le cunnilingus »;Jeux de langue avec de la glace sur mon corps; la fellation naturelle ou protégée (Avec éjaculation sur le torse,dans la bouche ou la face); Rapport sexuel protégé; Massage……
Comme tabou: la domination,être chrono, le manque de respect!
je vous reçois en sous vêtements ou en lingette très sexy mettant en valeur mon corps sans oublier mes atouts!
Mon tarif: 1H 150€, 2H 200€ , 3H 300€ Nuit: 500€, Journée 700€ la présentation lors de la prise de contact est très importante: je souhaiterais connaitre votre nom, age..!!!
L’hygiène m’est d’une haute importance(Possibilité de prendre une douche) Après lecture de mon annonce,contact moi par mail pour prendre un rendez vous.
X……[email protected]
whatsapp uniquement (……………)
Mais avant tout j’aimerais savoir dans quel coin vous habité. Car je me déplace pas loin.
Mélina

The Instrument

Once on a time a youth, wishing to become a smith, quitted his village and hired himself as an apprentice to a farrier. His master was a busy man, all the beds in his house being filled by his workmen, and when evening came he was sore pressed to find sleeping quarters for his apprentice. Reflecting long, he thus finally argued:—

“In each bed are several persons; my daughter alone hath one to herself. With her will I put the youth to sleep. His parents are good people, and I have known him from boyhood. There is no danger.”

When these two were in bed together, the youth began to caress the daughter, a maid nigh unto sixteen years, and since she did not repulse him, he lost no time in showing her how one makes love. The daughter found the business very much to her liking, and Pierre (for so the apprentice was named) gave her several lessons in this pretty game. She did not tire, and wished that the play might last the whole night long; but Pierre, awearied, would fain have slept. Anon, when he began to grow drowsy, she pinched him and snuggled up to him; but he did not respond to her allurements.

14

“Pierre,” said she, “dost play no more with thine implement?”

“No—’tis used up,” quoth Pierre.

“‘Tis a pity,” said the girl. “Why is it not more solid? Would it cost much to have another?”

“Yea—at least three or four hundred francs.”

“I myself have not that sum; but I know where my father keepeth his money, and on the morrow I will give thee the wherewithal to procure another. What dost thou call it?”

“‘Tis called an ‘instrument’,”26 quoth Pierre.

In the morning the girl, taking her father’s money, gave it to the apprentice, who hied him to the town and made pretence of buying another instrument; and when night came, he played on his instrument to the infinite satisfaction of the girl.

On the morrow the apprentice received a letter, wherein he learned that his mother lay ill and desired to see him. He started on his journey forthwith. Anon the girl appeared, and not seeing the apprentice, inquired:

“Where is Pierre?”

And they answered her that he was gone and would return no more. Whereat she sped after him, and when she perceived him afar off, cried out:—

“Pierre! Pierre! At least leave me the instrument!”

15

Pierre, who was in a field at the moment, wrenched up a big turnip, and casting it into a swamp at the feet of the girl, cried out:—

“Take it—’tis there!”

And while the girl sought the instrument, he continued on his way.

With both her eyes she looked, but of Pierre’s instrument could perceive no vestige. Anon she sat down on the edge of the swamp and gave herself up to tears. Presently there chanced to pass the vicar, who made inquiry as to the cause of her grief.

“Oh! thy reverence!” she made answer. “The instrument hath fallen in the swamp and I cannot recover it. A sad pity, for ‘tis a precious instrument and cost three or four hundred francs.”

“Let us both seek,” quoth the vicar. “I will aid thee.”

He tucked up his gown, and both fell to seeking in the swamp, which was somewhat deep. Anon the girl turned her head, and perceiving the vicar with his garments tucked up above his hips, cried out:—

“Ah! thy reverence! No need for further search! ‘Tis thou who hast the instrument ‘twixt thy legs!” (The Way of a Virgin / The instrument) 

Hard as horn

………………………..In the beginning he pushes in with gentle blows, then quicker, and at last with such force I could not doubt that I was in great danger. His member was hard as horn, and he forced it in so cruelly, that I cried out, “You will tear me to pieces.” He stopped a moment from his work. “I implore you to be quiet, my dear”, he said, “it can only be done this way; endure it without flinching.” Again his hand slid under my buttocks, drawing me nearer, for I had made a feint to draw back, and without more delay plied me with such fast and furious blows that I was near fainting away. (M.Clasical Erotologia / Cap I, Of Copulation).

Love and Pain

“I can easily imagine belonging to one man for my entire life, but he would have to be a whole man, a man who would dominate me, who would subjugate me by his inate strength, do you understand? And every man—I know this very well—as soon as he falls in love becomes weak, pliable, ridiculous. He puts himself into the woman’s hands, kneels down before her. The only man whom I could love permanently would be he before whom I should have to kneel. ( Venus in Furs /  Ritter von Leopold Sacher-Masoch)

Courtesan sacred to Venus

Yet more expert in this kind of amorous riding than Philaenis herself, this ardent votary of pleasure thanks Venus in this epigram, that she has been able so to exhaust certain Hesperian gallants, whom she had mounted, that they had left her with wanton members all drooping, and feeling no desire left in them. To bestride men was also the favourite pastime of Lysidicé, who was never tired in the service of Venus, of whom the following epigram of Asclepiades treats:

“Many a horse has she ridden beneath her, yet never galled her thigh with all her nimble movements.”

Courtesans consecrated to Venus a whip, a bit, a spur, in order to signify, that with their clients they like best to pose themselves in that way, and that they preferred riding themselves to being ridden,—nothing more.

It is the same when in Apuleius, Fotis satiated her Lucius with the pleasures of the undulating Venus:

“Saying this she leaped upon the couch and, seated upon me backwards, plying her hips, vibrating her lithe spine lasciviously, she satiated me with the delights of the undulating Venus, till both of us exhausted, powerless and with useless limbs, sunk down, exhaling our souls in mutual embraces” (Metamorph., II., ch. II).

Mette mais, mette mais

«Mette mais, mette mais (ia dizendo
A marafona, ao bruto, que suava,
E convulso fazia estrondo horrendo
Pelo rustico som com que fungava:)
Mette mais, mette mais que estou morrendo!…»
«Mim não tem mais!» O negro lhe tornava;
E triste exclama a bebada fodida:
«Não ha gosto perfeito n’esta vida!»

(XIII Poesias Eroticas, Burlescas, e Satyricas de M.M. de Barbosa du Bocage )

Venus

A woman’s dress—

She is there—Venus—but without furs—No, this time it is merely the widow—and yet—Venus-oh, what a woman!

As she stands there in her light white morning gown, looking at me, her slight figure seems full of poetry and grace. She is neither large, nor small; her head is alluring, piquant—in the sense of the period of the French marquises—rather than formally beautiful. What enchantment and softness, what roguish charm play about her none too small mouth! Her skin is so infinitely delicate, that the blue veins show through everywhere; even through the muslin covering her arms and bosom. How abundant her red hair-it is red, not blonde or golden-yellow—how diabolically and yet tenderly it plays around her neck! Now her eyes meet mine like green lightnings—they are green, these eyes of hers, whose power is so indescribable—green, but as are precious stones, or deep unfathomable mountain lakes.(venus in furs /to love)

Venus II

“I feel a perfect horror, when I imagine, that the woman I love and who has responded to my love could give herself to another regardless of me. But have I still a choice? If I love such a woman, even unto madness, shall I turn my back to her and lose everything for the sake of a bit of boastful strength; shall I send a bullet through my brains? I have two ideals of woman. If I cannot obtain the one that is noble and simple, the woman who will faithfully and truly share my life, well then I don’t want anything half-way or lukewarm. Then I would rather be subject to a woman without virtue, fidelity, or pity. Such a woman in her magnificent selfishness is likewise an ideal. If I am not permitted to enjoy the happiness of love, fully and wholly, I want to taste its pains and torments to the very dregs; I want to be maltreated and betrayed by the woman I love, and the more cruelly the better. This too is a luxury.” (Venus in furs)

Venus III

Venus in furs

“Place thy foot upon thy slave, Oh thou, half of hell, half of dreams; Among the shadows, dark and grave, Thy extended body softly gleams.

 

Venus

But the Almighty Lord hath struck him, and hath delivered him into the hands of a woman.”

—The Vulgate, Judith, xvi. 7.

Women of Halls

It was this flexibility of mind, this active intelligence tempered with sensibility and the native instinct of pleasing, that distinguished the French women who have left such enduring traces upon their time. “It is not sufficient to be wise, it is necessary also to please,” said the witty and penetrating Ninon, who thus very aptly condensed the feminine philosophy of her race. Perhaps she has revealed the secret of their fascination, the indefinable something which is as difficult to analyze as the perfume of a rose. (woman of french halls/ seventin salon)

Priapeia

Thus Priapus complains of the wives and daughters of his neighbors, who came incessantly to him burning with ticklish desires.

“Cut off my genital member, which every night and all night long my neighbours’ wives and daughters, for ever and for ever in heat, more wanton than sparrows in springtide, tire to death,—or I shall burst!…” (Priapeia, XXV).

GRECIAN COURTEZANS

The rank which the courtezans enjoyed, even in the brightest ages of Greece, and particularly at Athens, is one of the greatest singularities in the manners of any people. By what circumstances could that order of women, who debase at once their own sex and ours—in a country where the women were possessed of modesty, and the men of sentiment, arrive at distinction, and sometimes even at the highest degree of reputation and consequence? Several reasons may be assigned for that phenomenon in society.

In Greece, the courtezans were in some measure connected with the religion of the country. The Goddess of Beauty had her altars; and she was supposed to protect prostitution, which was to her a species of worship. The people invoked Venus in times of danger; and, after a battle, they thought they had done honor to Miltiades and Themistocles, because the Laises and the Glyceras of the age had chaunted hymns to their Goddess.

The courtezans were likewise connected with religion, by means of the arts. Their persons afforded models for statues, which were afterwards adored in the temples. Phryne served as a model to Praxiteles, for his Venus of Cnidus. During the feasts of Neptune, near Eleusis, Apelles having seen the same courtezan on the sea-shore, without any other veil than her loose and flowing hair, was so much struck with her 21appearance, that he borrowed from it the idea of his Venus rising from the waves.

They were, therefore connected with statuary and painting, as they furnished the practisers of those arts with the means of embellishing their works.

The greater part of them were skilled in music; and, as that art was attended with higher effects in Greece than it ever was in any other country, it must have possessed, in their hands, an irresistible charm.

Every one knows how enthusiastic the Greeks were of beauty. They adored it in the temples. They admired it in the principal works of art. They studied it in the exercises and the games. They thought to perfect it by their marriages. They offered rewards to it at the public festivals. But virtuous beauty was seldom to be seen. The modest women were confined to their own apartments, and were visited only by their husbands and nearest relations. The courtezans offered themselves every where to view; and their beauty as might be expected, obtained universal homage.

Greece was governed by eloquent men; and the celebrated courtezans, having an influence over those orators must have had an influence on public affairs. There was not one, not even the thundering, the inflexible Demosthenes, so terrible to tyrants, but was subjected to their sway. Of that great master of eloquence it has been said, “What he had been a whole year in erecting, a woman overturned in a day.” That 22influence augmented their consequence; and their talent of pleasing increased with the occasions of exerting it.

The laws and the public institutions, indeed, by authorizing the privacy of women, set a high value on the sanctity of the marriage vow. But in Athens, imagination, sentiment, luxury, the taste in arts and pleasures, was opposite to the laws. The courtezans, therefore may be said to have come in support of the manners.

There was no check upon public licentiousness; but private infidelity, which concerned the peace of families, was punished as a crime. By a strange and perhaps unequalled singularity the men were corrupted, yet the domestic manners were pure. It seems as if the courtezans had not been considered to belong to their sex; and, by a convention to which the laws and the manners bended, while other women were estimated merely by their virtues, they were estimated only by their accomplishments.

These reasons will in some measure, account for the honors, which the votaries of Venus so often received in Greece. Otherwise we should have been at a loss to conceive, why six or seven writers had exerted their talents to celebrate the courtezans of Athens—why three great painters had uniformly devoted their pencils to represent them on canvass—and why so many poets had strove to immortalize them in verses. We should hardly have believed that so many illustrious men had courted their society—that Aspasia had been consulted in deliberations of 23peace and war—that Phryne had a statue of gold placed between the statues of two kings at Delphos—that, after death, magnificent tombs had been erected to their memory.

“The traveller,” says a Greek writer, “who, approaching to Athens, sees on the side of the way a monument which attracts his notice at a distance, will imagine that it is the tomb of Miltiades or Pericles, or of some other great man, who has done honor to his country by his services. He advances, he reads, and he learns that it is a courtezan of Athens who is interred with so much pomp.”

Theopompus, in a letter to Alexander the Great, speaks also of the same monument in words to the following effect—“Thus, after her death, is a prostitute honored; while not one of those brave warriors who fell in Asia, fighting for you, and for the safety of Greece, has so much as a stone erected to his memory, or an inscription to preserve his ashes from insult.”

Such was the homage which that enthusiastic people, voluptuous and passionate, paid to beauty. More guided by sentiment than reason, and having laws rather than principles, they banished their great men, honored their courtezans, murdered Socrates, permitted themselves to be governed by Aspasia, preserved inviolate the marriage bed, and placed Phryne in the temple of Apollo! (Grecian courtezans/ Sketches of the Fair Sex, in All Parts of the World)

LUXURIOUS DRESS OF THE GRECIAN LADIES.

As the Greeks emerged from the barbarity of the heroic ages, among other articles of culture, they began to bestow more attention on the convenience and elegance of dress. At Athens, the ladies commonly employ the whole morning in dressing themselves in a decent and becoming manner; their toilet consisted in paints and washes, of such a nature as to cleanse and beautify the skin, and they took great care to clean their teeth, an article too much neglected: some also blackened their eyebrows, and, if necessary, supplied the deficiency of the vermillion on their lips, by a paint said to have been exceedingly beautiful. At this time the women in the Greek islands make much use of a paint which they call Sulama, which imparts a beautiful redness to the cheeks, and gives the skin a remarkable gloss. Possibly this may be the same with that made use of in the times we are considering; but however this be, some of the Greek ladies at present gild their faces all over on the day of their marriage, and consider this coating as an irresistible charm; and in the island of Scios, their dress does not a little resemble that of ancient Sparta, for they go with their bosoms uncovered, and with gowns which only reach to the calf of their leg, in order to show their fine garters, which are commonly red ribbons curiously embroidered. But to return to ancient Greece; the ladies spent likewise a part of their time in composing head-dresses, and though we have reason to suppose that they were not then so preposterously fantastic as those presently composed by a Parisian milliner, yet they were probably objects of no small industry and attention, especially as we find that they then dyed their hair, 165perfumed it with the most costly essences, and by the means of hot irons disposed of it in curls, as fancy or fashion directed. Their clothes were made of stuffs so extremely light and fine as to show their shapes without offending against the rules of decency. At Sparta, the case was widely different; we shall not describe the dress of the women; it is sufficient to say that it has been loudly complained of by almost every ancient author who has treated on the subject.(Luxurios dress/Sketches of the Fair Sex, in All Parts of the World)

 

THE FIRST KISS OF LOVE.

Away with those fictions of flimsy romance!
Those tissues of falsehood which folly has wove!
Give me the mild beam of the soul-breathing glance,
Or the rapture which dwells on the first kiss of love.
Ye rhymers, whose bosoms with phantasy glow,
Whose pastoral passions are made for the grove,
From what blest inspiration your sonnets would flow,
Could you ever have tasted the first kiss of love!
I hate you, ye cold compositions of art;
Though prudes may condemn me, and bigots reprove,
I court the effusions that spring from the heart
Which throbs with delight to the first kiss of love.
Oh! cease to affirm that man, since his birth,
From Adam till now, has with wretchedness strove;
Some portion of paradise still is on earth,
And Eden revives in the first kiss of love.
When age chills the blood, when our pleasures are past—
For years fleet away with the wings of the dove—
The dearest remembrance will still be the last,
Our sweetest memorial the first kiss of love.(Sketches of the Fair Sex, in All Parts of the World)

De mysterieuse machine ter vermaling van mannen.

Dessert van een fijn souper.

(DE SEXUEELE ZEDEN
IN WOORD EN BEELD)

De vrouwelijke almachtige in Buddha-pose.

(DE SEXUEELE ZEDEN
IN WOORD EN BEELD)

The garden of th goddess 28/05/23

The temple of Aphrodite-Astarte stood outside the gates of the town, in an immense park, full of flowers and shade. The Nile water, conveyed by seven aqueducts, induced an extraordinary verdure all the year round.

The gardens were more than a valley, more than a country; they were a complete world enclosed by bounds of stone and governed by a goddess, the soul and centre of this universe. All around it stood a circular terrace, eighty stades long and thirty-two feet high. This was not a wall, it was a colossal “cité,” composed of fourteen hundred houses. A corresponding number of prostitutes inhabited this sacred town, and in this unique spot were represented seventy different nationalities.

The plan of the sacred houses was uniform and as follows: the door, of red copper (a metal consecrated to the goddess), bore a phallos-shaped knocker which fell upon a receiving-plate in relief, the image of the cteis; and beneath was graved the courtesan’s name, with the initials of the usual formula:…….(Ancient Manners; Also Known As Aphrodite / Louÿs, Pierre)

Blue eyes girl 24/06/23

To all lovers of carrots we would re- commend this fair complex, and blue ey’d nymph; she is now steering into the nineteenth year, and has very little of the vulgarity too often found in the sister- hood, but would be rather silent than speak nonsense: the mere sensualist will not find her quite to his fancy, but she will please the delicate and sensible, who can spend the dull pause of joy with her agreeably, till call’d by nature to repeti- tion; in which, as well as in conservation, we are informed she is equally charming.(Harrist List of Covent-Garden Ladies)

Nymph Girl 11/06/23

This accomplished nymph has just attained her eighteenth year, and fraught with every perfection, enters a volunteer in the field of Venus. She plays on the piano forte, sings, dances, and is mistress of every Manoeuvre in the amorous contest that can enhance the coming pleasure; is of the middle stature, fine auburn hair, dark eyes, and very inviting countenance, which ever seems to beam delight and love. In bed she is all the heart can wish, or eye admire, every limb is symmetry, every action under cover truly amorous; her price is two pounds two.(Harrist List of Covent-Garden Ladies)

To Saint Magdalena 4/06/23

Great Saint, Patroness of Whores, strengthen my mind, and give me the strength of understanding, to fully understand and retain all the refinement of the precepts contained in this Catechism: make that, following your example, I become, in a little while, by practice, a Bitch as famous in Paris as you were in all Judea, and I promise you, as my divine Patroness and Protector, to give my first ass shots in your honor and glory.So be it.

A fine tall woman! 04/06/23

It is remarkable, that her lovers are most commonly of a diminutive size. The vanity of surmounting such a fine tall woman, is, doubtless, an incentive to many, to so unmatch themselves, that they are content to be like a sweet-bread on a breast of veal. Yet, notwithstand- ing her size, we hear her low countries are far from being capacious, but like a well made boot, is drawn on the leg with some difficulty, and fits so close, as to give great pleasure to the wearer; it is about two years since her boot has been ac- customed to wear legs in it, and though often soaled, (sold) yet never wears out.(Harris’s List of Covent Garden Ladies / number36)

Studded with role buds, and streaked with celestial blue, 15/09/22

but the loving lips tenderly kiss each other, and shelter from the cold a small but easily stretched passage, whose depth none but the blind boy has liberty to fathom; between the tempting lips the coral headed tip stands centinal, sheltered by a raven coloured- bush, and for one half guinea conduct the well erected friend safe into port. She is a native of Oxfordshire, and has been a visitor on the town about one year, is generally to be met with at home at every hour excepting ten at night, at which time she visits a favourite gentle- man of the Temple.(Harris’s List of Covent Garden Ladies/Number 30 )

Court of love

In Spain, during the Middle Ages, courts of Love were established. These courts were composed of ladies summoned to meet together, for the purpose of discussing, in the most formal and serious manner, “beautiful and subtle questions of love.” They decided the precise amount of inconstancy which a lady might forgive, without lowering her own dignity, provided her lover made certain supplications, and performed certain penances; they 173took it into solemn consideration whether a lover was justified, under any circumstances, in expressing the slightest doubt of his lady’s fidelity; they laid down definite rules, and ceremonials of behavior, to be observed by those who wished to be beloved; and gravely discussed the question whether sentiment, or sight, the heart, or the eyes, contributed most powerfully to inspire affection.(Courts of love/ Sketches of the Fair Sex, in All Parts of the World)

Perfect mistress 15/09/23

This lady, we are told, is remarkably fond of musick, and there is no tune within compass of the flute but she plays with the greatest dexterity; she is perfect mistress of all the graces, is never out in stopping, and is full as well skilled in pricking; altho’ the principal part of her music is played in duets, and every duet in a natural key, she has not the smallest objection to two flats; she has a variety of sweet notes, and many pleasing airs, and generally chooses the lowest part; every shake and quaver she feels in- stinctively, and sometimes has played the same tune over twice, before her partner has gone through it once, without the least deviation from true concord; she does not allow of any cross barrs, and is particularly partial to the Tacit flute; her moving stars are as black and as round as the end of a Crotchet; no flower that blows is like her cheek, or scatters such perfume as her breath: no advice can controul her love; she does as she will with her swain, presses him away to the copse, puts the wanton God where the bee sucks into her pleasant native plains, soon after you feel the graceful move and find how sweet it is in the low-lands; and should it be in sable night, she loves to restore the drooping plant, thinks variety is charming, and always gives one kind kiss before she parts; and as she is now only nineteen, can sing a French as well as an English song, and has a very good friend, whose name she at present assumes: you must not approach her shrine without being well fortifyed with root of all evil.(Harris’s List of Covent Garden Ladies / number 48)

The cult of aphrodita 11/04/2024

POLYTHEISM is not a stable religion. It changes with the growth of civilization, and we do not know a time in which it was not constantly in a state of transition.

The myths which connect Aphrodite in one place with Adonis, in others with Mars, Hephæstos, Anchises and other gods or mortals, were originally several different developments of the same fundamental idea, the love story of the goddess of love. This is quite natural and ought to be expected, but when in the days of a more international communication these myths were told in different shapes in all localities, they in their combination served greatly to undermine the respect for the goddess and to degrade the conception of her even as early as in the time when the Homeric epics were composed. Nevertheless, since the sarcasm remained limited for a long time to the circle of heretics and scoffers, the noble conception of Aphrodite was preserved down to the latest days of paganism.

In other words Venus was originally the mother{69} of mankind. She was at once the Queen of Heaven or Juno, the Magna Mater or Venus Genetrix, the educator and teacher or Pallas Athene, the eternal virgin or Diana, and the all-nourishing earth-goddess, Demeter or Ceres; and this view had better be stated inversely, that the original mother of mankind became differentiated in the course of history into these several activities of womanhood, as Juno, Venus, Diana, Ceres and Athene, which divinities were again reunited in Christianity in the form of Mary, the Queen of Heaven, the Mother of God, the Lady as an authority and guide in life, and the Eternal Virgin.

Aphrodite was worshiped in a prehistoric age, and the origin of her cult is plainly traceable to the Orient, especially to Phenicia and further back to Pamphylia, Syria, Canaan and Babylon. The Phenician Astarte was imported to the islands of the Ægean Sea, to Cythera, Paphos and Amathus. Hence even in the Hellenistic age she was still honored with the names Cytherea, Paphia and Amathusia.(the cult of aphrodita/ paul carus /The Venus of Milo: an archeological study of the goddess of womanhood)

ONE ESCORT PILL ALWAYS

My soul would explode; like a thousand megaton bomb……… ………..have a drink to calm the soul and the thirst……but nothing……… ………..I did the heart tests……and nothing…………. ………..I went to the Dr.specialist, at 666 Damian Street and he gave me “2 Escort Pills “before going to sleep…..I am so happy.

you're a sweet little whore.

In order to better feel the cock that was sitting in the back of my body,I squeezed my ass cheeks together a few times, which had a great effect on Mr. Horak. He spoke out and in more quickly, leaned deeper over me and began to hiss in my ear: “Yes, my dear…, just snap…,yes, my dear…, ah…, that’s…, that’s…, very well…,listen… you’re a sweet little whore…, I like you…, come to me in the basement every day now…, you know?”(chapter 9/Josefine Mutzenbacher)

THE ORIGIN OF WOMAN.

THE problem of womanhood has found different expressions in different ages. In prehistoric times all great questions were answered mythologically. Cosmogeny and anthropogeny, including gynecogeny, were expressed in stories of gods, while in later periods the same facts remained and found different solutions in religious dogmas and still later in scientific investigations.

The same subjects have been treated in a different spirit during the Christian era and again differently still under the influence of a scientific world-conception. Socrates respected the gods but he no longer believed in them as personalities. He explained them as signifying some facts of experience. To him love found expression in a belief in Aphrodite and in her powerful son, Eros. Further, his disciple Plato explains to us the significance of love and devotes a special dialogue to a discussion of its meaning in every aspect. This dialogue of Plato’s, the Symposium, may truly be characterized as the most poetical and most interesting discussion of{122} Greek philosophy. It tells of a banquet to which Agathon has invited his friends, among whom we find the philosopher Socrates, the poet Aristophanes (the disciple of Socrates), Pausanias, Phaedrus and some others. After dinner Phaedrus proposes to make speeches in honor of love, and Pausanias begins by drawing a distinction between heavenly and earthly love, extolling the former and giving scant praise to the latter. Aristophanes is the next speaker, but, being prevented by a severe hiccup from taking up the discussion, gives precedence to Eryximachus, the physician. This speaker approves the distinction made by Pausanias, but generalizes the conception of love by regarding it as a universal principle, bringing about the harmony that regulates nature in the course of the seasons in its relations of moist and dry, hot and cold, etc., and whose absence is marked by diseases of all sorts. Aristophanes, having recovered from his hiccup, proposes to offer a new explanation setting forth a novel theory of the origin of human nature.

ENGLISH WOMEN

The women of England are eminent for many good qualities both of the head and of the 63heart. There we meet with that inexpressible softness and delicacy of manners, which, cultivated by education, appears as much superior to what it does without it, as the polished diamond appears superior to that which is rough from the mine. In some parts of the world, women have attained to so little knowledge and so little consequence, that we consider their virtues as merely of the negative kind. In England they consist not only in abstinence from evil, but in doing good.

There we see the sex every day exerting themselves in acts of benevolence and charity, in relieving the distresses of the body, and binding up the wounds of the mind; in reconciling the differences of friends, and preventing the strife of enemies; and, to sum up all, in that care and attention to their offspring, which is so necessary and essential a part of their duty.

A woman may succeed to the throne of England with the same power and privileges as a king; and the business of the state is transacted in her name, while her husband is only a subject. The king’s wife is considered as a subject; but is exempted from the law which forbids any married woman to possess property in her own right during the lifetime of her husband; she may sue any person at law without joining her husband in the suit; may buy and sell lands without his interference; and she may dispose of her property by will, as if she were a single woman. She cannot be fined by any court of law; but is liable to be tried and 64punished for crimes by peers of the realm. The queen dowager enjoys nearly the same privileges that she did before she became a widow; and if she marries a subject still continues to retain her rank and title; but such marriages cannot take place without permission from the reigning sovereign. A woman who is noble in her own right, retains her title when she marries a man of inferior rank; but if ennobled by her husband, she loses the title by marrying a commoner. A peeress can only be tried by a jury of peers.

In old times, a woman who was convicted of being a common mischief-maker and scold, was sentenced to the punishment of the ducking-stool; which consisted of a sort of chair fastened to a pole, in which she was seated and repeatedly let down into the water, amid the shouts of the rabble. At Newcastle-upon-Tyne, a woman convicted of the same offence was led about the streets by the hangman, with an instrument of iron bars fitted on her head, like a helmet. A piece of sharp iron entered the mouth, and severely pricked the tongue whenever the culprit attempted to move it.

A great deal of vice prevails in England, among the very fashionable, and the very low classes. Misconduct and divorces are not unfrequent among the former, because their mode of life corrupts their principles, and they deem themselves above the jurisdiction of popular opinion; the latter feel as if they were beneath the influence of public censure, and find it very 65difficult to be virtuous, on account of extreme poverty, and the consequent obstructions in the way of marriage. But the general character of English women is modest, reserved, sincere, and dignified. They have strong passions and affections, which often develope themselves in the most beautiful forms of domestic life. They are in general remarkable for a healthy appearance, and an exquisite bloom of complexion. Perhaps the world does not present a lovelier or more graceful picture than the English home of a virtuous family.

RUSSIAN WOMEN.

It is only a few years since the Russians emerged from a state of barbarity.

A late empress of Russia, as a punishment for some female frailties, ordered a most beautiful young lady of family to be publicly chastised, in a manner which was hardly less indelicate than severe.

It is said that the Russian ladies were formerly as submissive to their husbands in their families, as the latter are to their superiors in the field; and that they thought themselves ill treated, if they were not often reminded of their duty by the discipline of a whip, manufactured by themselves, which they presented to their husbands on the day of their marriage. The latest travellers, however, assert, that they find no remaining traces of this custom at present.

66Russian fathers, of all classes, generally arrange marriages for their children, without consulting their inclinations. Among the peasantry, if the girl has the name of being a good housewife, her parents will not fail to have applications for her, whatever may be her age or personal endowments. As soon as a young man is old enough to be married, his parents seek a wife for him, and all is settled before the young couple know any thing of the matter.

Their nuptial ceremonies are peculiar to themselves; and formerly consisted of many whimsical rites, some of which are now disused. On her wedding day, the bride is crowned with a garland of wormwood; and, after the priest has tied the nuptial knot, his clerk or sexton throws a handful of hops upon the head of the bride, wishing that she might prove as fruitful as that plant. She is then led home, with abundance of coarse ceremonies, which are now wearing off even among the lowest ranks; and the barbarous treatment of wives by their husbands is either guarded against by the laws of the country, or by particular stipulations in the marriage contract.

In the conversation and actions of the Russian ladies, there is hardly any thing of that softness and delicacy which distinguishes the sex in other parts of Europe. Even their exercises and diversions have more of the masculine than the feminine. The present empress, with the ladies of her court, sometimes divert themselves by shooting at a mark. Drunkenness, 67the vice of almost every cold climate, they are so little ashamed of, that not many years ago, when a lady got drunk at the house of a friend, it was customary for her to return next day, and thank him for the pleasure he had done her.

Females, however, in Russia, possess several advantages. They share the rank and splendor of the families from which they are sprung, and are even allowed the supreme authority. This a few years ago, was enjoyed by an empress, whose head did honor to her nation and to her sex; although, on some occasions, the virtues of her heart have been much suspected. The sex, in general, are protected from insult, by many salutary laws; and, except among the peasants, are exempted from every kind of toil and slavery. Upon the whole, they seem to be approaching fast to the enjoyment of that consequence, to which they have already arrived in several parts of Europe.

ON LOOKING AT THE PICTURE OF A BEAUTIFUL FEMALE.

What dazzling beauties strike my ravish’d eyes,
And fill my soul with pleasure and surprise!
What blooming sweetness smiles upon that face!
How mild, yet how majestic every grace!
In those bright eyes what more than mimic fire
Benignly shines, and kindles gay desire!
Yet chasten’d modesty, fair white-robed dame,
Triumphant sits to check the rising flame.
Sure nature made thee her peculiar care:
Was ever form so exquisitely fair?
Yes, once there was a form thus heavenly bright,
But now ’tis veil’d in everlasting night;
Each glory which that lovely face could boast,
And every charm, in traceless dust is lost;
An unregarded heap of ruin lies
That form which lately drew ten thousand eyes.
What once was courted, lov’d, adored, and prais’d,
Now mingles with the dust from whence ’twas raised.
No more soft dimpling smiles those cheeks adorn,
Whose rosy tincture sham’d the rising morn;
184No more with sparkling radiance shine those eyes,
Nor over those the sable arches rise;
Nor from those ruby lips soft accents flow,
Nor lilies on the snowy forehead blow;
All, all are cropp’d by death’s impartial hand,
Charms could not bribe, nor beauty’s power withstand;
Not all that crowd of wondrous charms could save
Their fair possessor from the dreary grave.
How frail is beauty, transient, false and vain!
It flies with morn, and ne’er returns again.
Death, cruel ravager, delights to prey
Upon the young, the lovely and the gay.
If death appear not, oft corroding pain,
With pining sickness in her languid train,
Blights youth’s gay spring with some untimely blast,
And lays the blooming field of beauty waste;
But should these spare, still time creeps on apace,
And plucks with wither’d hand each winning grace;
The eyes, lips, cheeks, and bosom he disarms,
No art from him can shield exterior charms.
But would you, fair ones, be esteem’d, approved,
And with an everlasting ardor loved;
Would you in wrinkled age, admirers find,
In every female virtue dress the mind;
Adorn the heart, and teach the soul to charm,
And when the eyes no more the breast can warm,
These ever-blooming beauties shall inspire
Each gen’rous heart with friendship’s sacred fire;
These charms shall neither wither, fade, nor fly;
Pain, sickness, time, and death, they dare defy.
When the pale tyrant’s hand shall seal your doom,
And lock your ashes in the silent tomb,
These beauties shall in double lustre rise,
Shine round the soul, and waft it to the skies.

CHINESE WOMAN

Of all the other Asiatics, the Chinese have, perhaps the best title to modesty. Even the men wrap themselves closely up in their garments, and reckon it indecent to discover any 41more of their arms and legs than is necessary.—The women, still more closely wrapt up, never discover a naked hand even to their nearest relations, if they can possibly avoid it. Every part of their dress, every part of their behavior is calculated to preserve decency, and inspire respect. And, what adds lustre to of their charms, is that uncommon modesty which appears in every look and in every action.

Charmed, no doubt, with so engaging a deportment, the men behave to them in a reciprocal manner. And, that their virtue may not be contaminated by the neighborhood of vice, the legislature takes care that no prostitutes shall lodge within the walls of any of the great cities of China.

Some, however, suspect whether this appearance of modesty be any thing else than the custom of the country; and allege that, notwithstanding so much decency and decorum, they have their peculiar modes of intriguing, and embrace every possible opportunity of putting them in practice; and that, in these intrigues, they frequently scruple not to stab the paramour they had invited to their arms, as the surest method of preventing detection and loss of character.

A bridegroom knows nothing of the character or person of his intended wife, except what he gathers from the report of some female relative, or confidant, who undertakes to arrange the marriage, and determine the sum that shall be paid for the bride. Very severe laws are made 42to prevent deception and fraud in these transactions. On the day appointed for the wedding the damsel is placed in a close palanquin the key of which is sent to the bridegroom, by the hands of some trusty domestic. Her relations and friends accompanied by squalling music, escort her to his house; at the gate of which he stands in full dress, ready to receive her. He eagerly opens the palanquin and examines his bargain. If he is pleased, she enters his dwelling, and the marriage is celebrated with feasting and rejoicing; the men and women being all the time in separate apartments. If the bridegroom is dissatisfied, he shuts the palanquin, and sends the woman back to her relations; but when this happens, he must pay another sum of money equal to the price he first gave for her. A woman who unites beauty with accomplishments brings from four to seven hundred louis d’ors; some sell for less than one hundred. The apartments of the women are separated from those of the men by a wall at which a guard is stationed. The wife is never allowed to eat with her husband; she cannot quit her apartments without permission; and he does not enter hers without first asking leave. Brothers are entirely separated from their sisters at the age of nine or ten years.

Miss W—lk—ns—n, No. 10, Bull-and- Mouth Street.

Miss W—lk—ns—n, No. 10, Bull-and-
Mouth Street
.

   Forbidding me to follow she invites me,
   This is the mould of which I made the sex,
   I gave them but one tongue to say us nay,
   And two kind eyes to grant.

Here we present our readers with as pretty a man’s woman as ever the bountiful hand of nature formed; a pair of black eyes that dart resistless fire, that speak a language frozen hearts might thaw, and stand as the sweet index to the soul; a pair of sweet pouting lips that demand the burning kiss, and never receives it without paying with interest; a complexion that would charm the eye of an anchorite; a skin smooth’ as monument alabaster, and white as Alpian snow; and hair that so beauti- fully contrasts the skin, that nought but nature can equal. Descend a little lower and behold the semi-snow-balls. “Studded

( 30 )

“Studded with role buds, and streaked with celestial blue,”

that want not the support of stays; whose truly elastic state never suffers the pressure, however severe, to remain, but boldly recovers its tempting smoothness. Next take a view of nature centrally; no folding lapel, no gaping orifice, no horrid gulph is here, but the loving lips tenderly kiss each other, and shelter from the cold a small but easily stretched passage, whose depth none but the blind boy has liberty to fathom; between the tempting lips the coral headed tip stands centinal, sheltered by a raven coloured- bush, and for one half guinea conduct the well erected friend safe into port. She is a native of Oxfordshire, and has been a visitor on the town about one year, is generally to be met with at home at every hour excepting ten at night, at which time she visits a favourite gentle- man of the Temple.(Harris’s List of Covent Garden Ladies / number 30)29/07/2024

Mis N 31—ble, No. 10, Plough Court, Fetter Lane.

Miss

( 31 )

Mis N—ble, No. 10, Plough Court,
           Fetter Lane
.

           She darted a sweet kiss,
   The wanton prelude to a farther bliss;
   Such as might kindle frozen appetite,
   And fire e’en wasted nature with delight.

She is really a fine girl, with a lovely fair complexion, a most engaging be- haviour and affable disposition. She has a most consummate skill in reviving the dead; for as she loves nothing but active life, she is happy when she can restore it: and her tongue has a double charm, both when speaking and when silent; for the tip of it, properly applied, can talk eloquently to the heart, whilst no sound pervades the ear and send such feelings to the central spot, that imme- diately demands the more noble weapon to close the melting scene.(Harris’s List of Covent Garden Ladies / number 30)29/07/2024

VENUS DE MEDICI 06/09/2024

he Venus de Medici at Florence is the most perfect specimen of ancient sculpture remaining; and is spoken of as the Model of Female Beauty. It was so much a favorite of the Greeks and Romans, that a hundred ancient repetitions of this statue have been noticed by travellers. This statue is said to have been found in the forum of Octavia at Rome. It represents woman at that age when every beauty has just been perfected.

“The Venus de Medici at Florence,” says a distinguished writer, “is like a rose which, after a beautiful daybreak, expands its leaves to the first ray of the sun, and represents that age when the limbs assume a more finished form and the breast begins to develop itself.”

The size of the head is sufficiently small to leave that predominance to the vital organs in the chest, which, as already said, makes the nutritive system peculiarly that of woman. This is the first and most striking proof of the profound knowledge of the artist, the principles of whose art taught him that a vast head is not a constituent of female beauty. In mentioning the head it is scarcely possible to avoid noticing the rich curls of hair.